brilliant new outing on irma by notenshun aka lofty and werner niedermeier move a little closer is a deep grooving soulful little house number includes a stripped down audio nature remix on the a side flip over for huge jazzy flavoured atjazz journey not to be missed

welcome to our 4th release with hot new talent tim gregor providing a rather splendid ep. you might not have heard of tim before but we reckon youll be hearing quite a bit from this talented fella in the coming months…following in the footsteps of his better known brother, mark-henning, tim takes up the minimal baton with aplomb, producing 3 tracks of teched up treats. starting with >subterrain<… a right heads down minimal groove if ever there was one, kicking off as it means to go on with a right big dollop of funk in the form of a wibbly, bowl quivering b-line and those oh so important funked up hi-hats. dollops of tripped out fx and breaks & builds aplenty keep the hips wiggling..

this is the third tuning spork blues experiment. inspired by legends like miles davis and modern day techno producers like dandy jack, andreoni is forging wacked out new house sounds, in the true spirit of jazz. this ep is no exception, and it shows why the likes of ricardo villalobos believe that signor andreoni is an amazing musician. to begin the experiment, andreoni jams you deep into space, with some seriously fucked up effects that will have you hiding under your bedclothes. sleepover is perhaps the most techno cut on this release, but the deep haze of dub still remains, over a banging percussive track. on members the melodies are perfect as you expect from signor andreoni, and here the acid line is more prominent in the mix, over deep warbling bass notes. in borderline, nothing is as it seems. melodies fall down cliffs into weird drones, and everything seems a little skewed. this completes a 4 track ep from a unique talent in the world of deep electronic house music, with 4 distinctive colourful tracks that take the genre far away from the middlebrow. make sure you check out our third tuning spork blues experiment, even if you spent most of science class using bunsen burners as water pistols

nice price deal !!! side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. a1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot.

schöne cool verspulte down-tempo tracks

the latest circular motion release from chicagos anthony nicholson. on bloodfire he teams up with scalerico who drops some wicked organ playing. this is another gorgeous cosmic track thats not to be missed. includes a stripped down fire drumstylie version on the flip

shed is back ! on his own imprint and he delivers his most dancefloor oriented 12inch so far. a1 comes with a helicopter-bassline and drills in to your head continuously, a2 is house-music pure and b1 is moving your body for sure..... b2... for coming down. this record is made available by these kinky dudes from germany. thank you.

pinknoize are a fresh production duo from west london with this release seeing them lay down some dancefloor friendly grooves which get locked into a soulful cycle of talking synths and playful percussion. like morgan geist topped up with a big dose of glitch juice and a bit of skandi- disco flavour thrown in, radical specs will suit funk lovers with its drunken grooves and space-laden atmospheres. high grade big-wig tom clark leaves all the big noises at home and turns up with an introspective almost sarcastically playful minimal work-out on his rmx while hot talent lee mortimer turns in an altogether more cranking and snarling electro tinged house mix, stretching the squelches and bleeps of the original over a dance floor friendly banger.

hot !!! crazy wizzez and basslines that will surely make you move! label-founder mihalis safras/liberto after his succesfull releases on mikrowave, shadowfax continues his collaboration with the master from london, mark broom! mark broom brings 2 bass driven stripped down tracks that have the magic touch that make you move!! the a side remix is by mihalis safras

a slightly steppy intro will get the crowd going. but when that bass drops you d better be holding on to something (or someone). this is minimal understated breaks at its best, stripped down beats and rolling bass complemented by hi end riffs and a little bit of pad to add warmth. anti science comes up with a remix that toughens, embellishes and shines an already dazzling gem into a thing of rare beauty and bass

after the quite dark winter-release shotgun 01 could be found in various playlists in germany (f.e. dj karotte) and outside and is almost sold out now, here is the second shot, which is - according to the season - more housey and funky. >its going down< works with classic house-vocals and a killer-groove, whereas >young in paradise< is a track full of tension, using a quite funky guitar-sample. this >young in paradise< has just been used by dj linus for his new mix-compilation on exun records.

4 powerfull and harder techno smasher by legend dj rush and dj ocram to the 10th birthday of combat skills !!

fantastic new long player from the electro legend shad t. scott

americhords 2004 enter ep get a double reworking by two of our favourite producers: dan curtin and mark broom. ohios dan curtin metamorphic records delivers two diverse interpretations of >tighter my grip<. his first >track mix< is more in keeping with his recent stripped down productions on tuning spork, with a sharply produced linear reworking which focuses in on the original tracks vocals and shimmering synth riff. his second >string< mix sees him turn in another of his signature techno-funk classics, as only dan curtin knows how. long standing d1 collaborator mark broom, effortless as always, rearranges >phoenix< into two pulsating 4/4 grooves, with the originals haunting string line riding on top throughout both. again, as with recent d1 releases, this is strictly limited vinyl run of 300 copies

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

dk7 presents the first in a series of remixes!!!! lopazz remix, a man who has carved his very own aesthetic niche for the last few years. previously label mates with dk7on output, lopazz always suprises and this time he has not let us down! tommy four seven remix: a great new production talent who is having his material snapped up by tom nevilles love minus zero label and david duriezs brique rouge. after doing a top remix for mark o sullivans jm recordings imprint(rockstars swallow it) dk7 made no hesitation in commisioning this fine remix

first outing for tejada and maxwell since 2005’s largely successful >100% post-consumer< track. the duo best known for 2004’s >mind bend< single strikes again with a 4 tracker of stripped down ultra phat analog tracks. in a time when much of techno is losing it’s focus and being replaced by soft bubbly, busy, trance like mutations, the guys saw it fit to return to a more honest approach with their beats.

jay west and christian mallloni have joined together to create a hybrid filter funk sound all of their own. the original reaks havoc on the dance floor creating serious synth sweeps and bass drops to keep this track versatile and improvisational throughout. the vocal sample quirky as it is rings in your head while the percussive rhythm and killer bassline dri this piece home. nightshift boss man hipp e steps up for the b side with a new style and brings down the house. extended peak time mix here with big synth rides, crispy rhythm and big kick. wicked breakdown riddled with bits from the original and ever expanding sonic modulation takes this cut to the limit

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

beach is the perfect early morning track with dreamlike sounds. an amazing deep techhouse piece for a dancefloor and living room alike. underwater is a shuffle tech track and its sounds go deep underwater where the sun cant be seen anymore.this groovy one is sure to shake many dancefloors in the middle of the night. on the flip fusiphorm strip things down to basics in best minimal tradition

sie sind zurück und haben nach ihrem brillanten erstlingswerk nichts verlernt. breitbeinige rockattitude mit feingeistigem sampling. techno ist, wenn man trotzdem lacht

classic jackin chicago tracks a must have

collaboration between mika vaino & ilpo vaisanen of pan sonic and alan vega from suicide with experimental and deep electro trax from 1998 on this mute sub-division..

deep italo with narration, dark feeling synths and a techy edge. unique b side dub, synth drenched, italo/techno with building atmospherics and stripped down simplicity, opting to lose the vocal. dj friendly accappella also included on b side big big tip

nice spacin detroit trax !!

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

next excellent proggy release on oeften grueven mparadis taking you on an atmospheric trip flip over for the nick hogendoorn & eelke kleijn remix were things are stripped down to the point with a nice electro flavour

ultra smooth deep house with seasoned quality vocal by tyrone supported by subtle keys, strong bassline, organ,all laying back a bit to let the vocal take front and center. b side mix stands out with a stripped down darker feel and deep techy edge that play nicely off the vocal for an unexpected combination that works well. remixes by reel soul and martino from 83 west.

big with laurent garnier, dave tarrida, magda, woody, anja schneider !! knall is the latest label of the bremen based plantage13 family. knall is nothing but direct minimal action, created for those special underground club moments. stripped down and raw grooves with glitchy efx, psycho melodies and some peaktime punch. the three tracks on the labels debut are named after 3 places in berlin, paul panzer homebase keep guessing and watch out for this brand-new source of quality club music

just in time for the fast-approaching summer months, rio de janeiro s main man dj memê joins soulfuric trax to unleash his brand new release v.a.i. blending together all the right ingredients, memê s club mix creates a summery, carnival-inspired vibe whilst deep josh lays down a very effective deeper mix. the stereo mutants spice up their version with some great sound effects and the beatzz come as an added bonus. definitely one for the ibiza season

nice price deal !!! get on it is a heavy ass tune from label head honchos ben & lex, a proper heads down dancefloor groover. a druggy lick that runs throughout the tune keeps you totally locked in while the huge sub bass wobbles your trousers like a mutha will whites wait a minute, is a funk fuelled peaktime dancefloor killer. bursting with funky hooks, phat bass and catchy vocal snippits this is one hell of a party tune!already tried and tested on dance floors across the world

bryan jones and scud bloom team up for this solid four track ep on chicagos farris wheel recordings jackin house tracks that will please the fans of fetish, tango, jackin trax etc

finest minimal techno stomper by mark broom & mihalis !! the rhythm will make you move – and not only move, you will dance like there’s no tomorrow. in >congi< the hard bass will strike you again and again. >come down< convinces with a classic minimal tune and a straight unique bass. lovers of >sabbath< – the former cooperation of broom and safras – can be sure, this is a must have

great deep detroit house classics incl tracks from polyester recordings, compost, sense music and many more !! ltd restock

funky breaks by the beat assassins who team up with joe budden and bambata for this cool 2 tracker not to be missed

classic back stock

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

chunky driving breakbeat action here lbj on the flip deliver a stripped down swinging remix with this cool flute sample a must have

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

stripped down electro flavoured techhouse grooves

this argentinian dj/producer has no limits when it comes to cool housetracks. with this superb female vocal be mine will shake the clubscene. includes mixes by simon & shaker, dean coleman and elio riso & audioclash

dj jeroenski is one of the biggest talents of the dutch club scene and not only a hugely popular dj in his home country but also a fast rising international producer. jeroenskis latest offering on device records literally has lust for life written all over as it oozes with plenty of feel good energy.the electronic mix is an upfront slice of instrumental house with punchy beats and an electro spiced melody. the original is the smoother version and creates a vibe that will go down well with the more soulful.

cool label start with this three track ep full of minimalistic techno tunes !!

as a sublabel of the respected rilis, loose is on the roll with a series of impressive, futuristic pressings. following the black and red ep comes a new gem named yellow. here rino cerrone teams up with some of his friends maurizio viteillo and umberto carmignani. these men slam down a solid stripped down techno ep with stunning quality and superb craftmenship

big with john dahlbäck, zoo brazil, thomas schumacher, umek, john acquaviva the spanish-based production kings (cocoon, submission, sadie) and label-owners (sonic society) pig & dan, return to pickadoll with some truly balearic & beautiful techno tunes. the track 88 (make no mistake – this is true dance music!) is a hypnotic journey based upon slightly modulating old-school chords. the combination of rather well known >back in the day< aesthetics and the modern minimal feel make this a truly professional masterpiece. the b-side starts with a dark tekkno monster called >blobz<: arpeggios, stripped-down drumming, reverbs go to make up an unbelievably raw ecstasy music which then develops into a neo trance extravaganza with some highly impressive breakdowns! the last cut >robots< consists of video game sounds, sexy beats and some almost psychedelic guitar-like licks… after-hours madness guaranteed!

the frankfurt based 4/4 electro label nordwest goes into the next round. labelboss and music biz expert olaf pozsgay, known from releasing on labels like systematic or raum…musik delivers two outstanding tracks for true arpeggio peaktime pleasure. the a side push contains body-jacking drums and a true arp-bassline monster, that modulates thru the keen arrangement – big breakdown included. the 2007 house version of sweetlights Überhit >abusator<! the flipside horses dont cry starts in a classy chi-town flavour with smooth chords and a funky bassline and then moves into a dope arpeggio that moves up and down and back and forth

supported by: sven väth, steve bug, mike monday, miss jools, karotte, satoshi tomie !! childhoods end is a massively bouncing detroit-influenced tune with a dominating chord theme you will not forget. this track has a story: when we received the first version almost one year ago, we already knew this could be a big one, because of the wonderful chord theme. however, we weren t completely convinced by the mix down. the improvement of this tune became a mental trip for pele. by producing his final version, he acquired so many skills, that with this track he has left his fledging stages – which is why this production is called childhood s end

the dog is back with another funky breaks killer wiesel & captain koma here with this monster of a track feat this classic loletta holloway sample on the flip introspective work the original track into a stripped down stomper with twisted acid lines a must have

return of one of the most prominent characters in house music elbee bad has been around for ever and with a discography that reaches from nu groove to gigolo has had his fair share in the developement of house music. now he stands in the limelight again with a versatile four tracker that gets already thumps up and plays by sven vaeth. victorious is offered in two mixes and if you like some beauty within your house the video mix is for you beautiful layers of strings, classic piano. a crowd favourite the epic build ups and drop ins over a stomping beat. the blazin brooklyn mix hits you from a tribal point of view it holds on to the beauty of orchestrated music with all the string backings in the mix but strikes with a harder, more percussive beat. the tribe vibe on the flip has elbee yelling on the mic asking over & over again do ya ll want this party started” accompanied by a stripped down, devasting beat the answer can only be yes. bonus track is conny, elbees tribute to fingers inc. the classic donnie sung by robert owens is reshaped from a mr. bad point of view and layed straight up over a famous dj falcon instrumental rough and rugged, just real house music